January 18, 2022

How Ridley Scott Can Quickly Make Movies According To Ben Affleck

If we wondered how Ridley Scott could make so many good films in a relatively short period of time, Ben Affleck has just given a hint. The actor who played in The Last Duel, released a few months ago by the same director, we can imagine that his vision is not very far from reality.

Looking at the filmography of Ridley Scott from its foundations, we begin by noting that in three years, the filmmaker consecutively gave birth to Alien and Blade Runner. Maybe even stronger, in 1992 was released in theaters 1492: Christopher Columbus, just one year later Thelma et Louise.

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By continuing the consultation, it’s hard not to see an outbidding. Every year between 2000 and 2003, Ridley Scott thus issued to the world Gladiator, Hannibal and The fall of the Black Falcon. The examples given here aim to emphasize a quantity which has not prejudiced the quality, in particular for the critical reception of these films.

In 2021, Ridley Scott released “The Last Duel” and “House of Gucci”

This year alone, Ridley Scott has left his mark twice and in a small space. Last October was launched The Last Duel, before House of Gucci didn’t steal the show the following month. Is there an explanation for this ability to box so many powerful films so quickly?

While that might not be the only answer to that question, Ben Affleck recently delivered an anecdote on Ridley Scott’s way of filming. Having collaborated with the director in The Last Duel, where he plays the role of Count Pierre II d’Alençon, the actor was a privileged witness to the work done by Ridley Scott. Watch out for the explanation, in every sense of the word:

“It’s really about exploiting the fact that since digital cameras don’t need that much light, you don’t get the same kind of directional light. Back in the days of film, you had to have a big off-camera light – bang – to do your side light here. This camera [que nous utilisons en ce moment] looks good because it’s kind of a Vermeer-style side light. But if you have a second camera there, it looks flat and horrible. The cinematographer is therefore always reluctant to use multiple cameras. But as digital cameras have become much more sensitive to light and cameras now have a latitude of 14 stops, we can make some kind of environmental light. And if you block that in a smart way and you have good operators, which Ridley can do, and you have a great production design and good actors, you can use five cameras, which Ridley does, five or six. cameras at once. And turn a three-page scene around a dining table in three hours. ”

And it is precisely through these very structured set-ups that Ridley Scott would instill a sense of urgency, and the will in his actors to quickly give the best of themselves. It doesn’t necessarily make for an exceptional film in the end, but it can surely help.

Source : The Playlist